Sitting
in the outdoor tub with the stillness of night stealing in, I love to
listen to the evening bird calls, as each species takes its turn,
before flying off to the night's roost. I can almost predict the
sequence of calls, as the titmice and goldfinches begin the evening's
sign-off, followed by a tumultuous Carolina wren. Then the wood
thrush and the cardinal vie to see which one closes off the day's
symphony, before the whippoorwill ushers in the night chorus.
I
love to listen carefully to the various calls, trying to discern if
birds of different species seem inclined to listen to each other—if
only to determine when their own song can be offered by slipping it
in between the calls of others, so as to minimize the overlap and
maximize the chance that each of them will be heard. The intent of
their singing is not to compete with a different species, but to
signal any nearby birds of its own species that it's here and
deserves respect. (In a similar fashion, it has been shown that birds
singing in cities modify their calls, in an attempt to be heard above
the din.)
Most
of the calls I recognize come from old friends, with whom we've
cohabited in this clearing in the woods for a few decades now. I have
come to expect their voices each evening. But now and then I hear an
unfamiliar call and wonder who it is. Might it be a visitor who's
testing whether it might find a home here? Might it just be passing
through and stopping on a pleasant evening, to join the chorus?
This
particular evening brings a new, rather complex call. It seems to me that it's two different birds—one shouting out a
high-pitched melodious squawk, sort of like a soprano bluebird. The
second call is a lower-pitched “burp, burp, burp.” It must be two
different species, I think, with such contrasting calls. They even
seem to be coming from two different directions in the woods.
But
as I listen over several minutes, I begin to become suspicious about
my first impression. These two different calls are precisely
synchronized. They quickly follow one another in the same succession,
but never overlap. When I normally listen to two different species of
birds calling out, they seem to be trying to fit their calls into
each other's gaps, but inevitably get a little sloppy and overlap
each other just a bit. These two calls tonight never overlapped.
So
maybe I'm listening to just one bird that sings out with two very
different calls—one a high-pitched squeal and the other a
low-pitched burp? That could be. The wood thrush has a three-part
call—each part having a very different quality. And I've written
here before how the different parts of the wood thrush's call even
seem to emanate from different locations in the woods. I have decided
that the wood thrush's song appears to come from different
directions, because one part of the call reflects off trees leaves,
while the other part penetrates deep into the woods.
So
what am I listening to this evening—two birds who have an uncanny
ability to perfectly synchronize their calls, or a single bird with a
two-part call? I do seem to hear the call coming from two different
locations in the woods. The answer will not come tonight, as the
calls soon ceased. The bird (or birds) will hold onto their secret
for another day.